Reaction to music videos and performances

Hello everyone!

Today I’d like to talk to you about something I’ve been doing for a while here and there on my spare time on youtube, which is : watching reaction videos to music videos and performances.

Should you ever feel lonely with your passion about something – that’s a great way of feeling included and reassured. The feeling of connection is indescribable sometimes. Although it’s not a fairly new idea, because we’ve been sharing our opinions on the Internet since the very beginning of its existence. I might be wrong, but if I remember correctly these type of videos were not as popular, let’s say a one year ago, as they are these days. It’s interesting to see how the trends change on youtube – which is truly a great platform driven by various communities. The psychological aspect of it is also worth mentioning and thinking about. Don't you feel like we're investing more and more of our lives on the Internet? I mean, not only we're sharing our private lives and opinions online, we're putting ourselves out there, we're "selling" our knowledge for everyone to see (and maybe learn from), we enjoy the connection, the feedback and most of all recognition.

But I find it really enjoyable nonetheless, there’s just something amazing about watching people’s reactions, be it live or online. You can compare it to yours, you can start a conversation with a said person and become friends, you can learn something new as well – most of the videos I watch (related to music) are made by professional vocal teachers or singers, so I do feel like I learned quite a lot by hearing them explaining technical aspects of the voice and analysing the vocal technique of a given artist. That’s how I learned to truly appreciate Dimash for example! (And I must say I really enjoy watching people’s reaction to his voice, the utmost shock on their faces is priceless and make my day).

Of course there are many videos made by amateurs, fans or even ordinary people whose reactions are particularly enjoyable thanks to their sense of humour, witty remarks or charismatic personality. And I really love the variety of it. Music, games, tv shows, even reaction videos to vlogs or videos destined for youtube. The youtube inception is insane.

I’m curious if you’re also watching these types of videos, where you watch someone react to something you like, please share it with me if you do! :)

Kwiat Jabłoni

Hello!

I don’t usually write about Polish bands and artists and with this blog entry I’d like to change that, by introducing you to one of the most interesting Polish bands I discovered in a while.

Kwiat jabłoni is a folk-pop band, founded in 2018 by two siblings : Kasia i Jacek Sienkiewicz. I don’t think I’ve ever heard a Polish band like that – the simplicity of sound, sweet, complementary voices with nice harmony and creative lyrics. I like their prononciation too, it’s almost old-school I’d say and I really appreciate it, because there are many singers who neglect their prononciation while singing, and in my opinion, in the case of Polish language – it just doesn’t sound good.

Interesting fact:  Before, Kasia and Jacek were in a band called Hollow Quartet (which in the end was in fact a quintet :), with an unconventional sound and surprising combination of instruments, like the mandolin, the contrabass, the piano but also the electric guitar and drums.

They are still very young and I can feel that they have a lot of potencial. For starters, they have a very distinct sound and they sound really fresh and good together. It’s a perfect music for travelling! They released their  full debut album Niemożliwe not too long ago – on 1st Frebruary this year. I must say I really enjoy it, you should give it a try! It’s a pretty consistent acoustic album, you don’t hear these kind of songs too often on the radio.

If you want to watch them live, they will be performing in Poznan at Enea Spring Break Festival on the 25th of April! See you there! :)

Cigarettes after sex

We are going to stay in a sleepy/dreamy state for a while longer, meet: Cigarettes after sex.

I already introduced you a bit to dream pop in my blog entry about Beach House, so let’s skip right to the band.

CAS play together since 2008, initially it was a solo project, but currently there are three members involved : Greg Gonzalez (founder, leading vocals, guitar), Randall Miller (bass) and Jacob Tomsky (drums).

Essentially, the dream pop genre is pretty hypnotic and abstract in itself and CAS also play by those rules, but what I really like about them in particular is how minimalistic they are in their approach both to music and lyrics. One may say that their sound is too repetitive, plain, the songs are too similar, you cannot distinguish them altogether, but personnally I don’t mind.

On the contrary, I kind of like them more for that. It just makes their music one big epic journey, interconnected by the exploration of concepts such as love, lust, longing. Because that’s what they put their focus on, mostly. Depending on the idea, it could be a very erotic and sensual record with some crude lyrics, or a melancholic and nostalgic one with some sadness to it. Complimented by the wispy and satine-like voice of Greg, it creates a wonderful ambiance. That’s just another distinctive trait of theirs, I guess.

Interesting fact :

In one of the interviews, Greg Gonzalez asked about his cinematic approach to music and creative process of writing, confessed that The Double Life of Veronique by Kieslowski and L’Avventura by Antonioni are the movies which inspired him and the sound of CAS the most.

I definitely see what they are going for, and I admire them for their consistency and their sort of black-and-white aesthetics.

Here’s a cover of theirs of Neon Moon by Brooks and Dunn , released about 2 months ago, I really like their touch on it :

TwoSet Violin

Hello everyone and welcome one again on the musical journey!

Today is going to be a slightly different blog entry (though related to music nonetheless), about a youtube channel I’m subscribed to, that is called: TwoSet Violin.

As you can easily assume, it’s a musical duo that professionally plays the violin. Eddy Chen and Brett Yang come from Australia and they created their youtube channel in 2014. Right from the beginning their goal was to make classical music relevant to the modern generation through fun, humour andsimplicity. 

That’s exactly what made me watch them in the first place. Their content on youtube is really witty, funny and at the same time very insightful and informative. If you think that classical music may not be your cup of tea, that’s alright, because it’s not the genre that counts in here, it’s the music in its pure form and definition and passion for learning how to play musical instruments. Besides, Eddy and Brett are very creative and easy-going guys, their videos are neither condescending, preaching nor overbearing. Quite the opposite, actually. Very often, they, create humourous content, do challenges, play charades, share their opinions on the authenticity of playing violin in movies with music themes, etc. I really like the way they promote classical music, pretty clever isn’t?

One of my favourite parts about their channel is that they are genuinely showing how much work one needs to put to be able to play at a very advanced/concertmaster/professional level. If you have a talent (at no matter what), of course it might be easier for you to do something, but without dedication, hard-work and practise you’ll never fully succeed, not in the long term anyway. For there to be any good outcome, there has to be made an effort first, and that’s something many people forget about. We’re in a constant progress of self-improvement.

Interesting fact :

One of the main and very present jokes in the TwoSet Violin community is the Ling Ling joke. Brett and Eddy came up with this fictional character called Ling Ling, a prodigy, who kind of defies logic by being the best at everything. For example : Ling Ling practices for 40 hours a day; you will never achieve what he has at 5 years old.

I am a Singer

As I promised, here it is! A special post about my favourite singing competition : Singer (formerly known as I Am a Singer)!

It’s a Chinese show broadcasted by HunanTV and it is based on the Korean version, called I Am a Singer (that’s why they had to change the name). Unlike any other talent show with singers like The Voice or The X Factor, The Singer is exclusively created for professional singers and artists from all over the world. Typically, the foreign singers are being invited to take part in the show, which is a huge thing, because not only is it a number one show in China, but the average ratings for each episode reach about 200 mln viewers, and who wouldn’t like to have such a platform to gain more recognition and popularity?

I watched Singer 2017 and Singer 2018 and I absolutely loved them. The producers really know how to entertain people, because this show provides : the high quality of sound, the intimate setting (only 500 people in the audience + contestants and musical partners who introduce the artists), the freedom to artists in terms of music (as long as it works on stage, they do different types of covers) and the participation of the audience as the ultimate judges – now that’s really interesting. After all the performances of the night, each person in the audience votes for 3 (out of 7-8) which he finds the best and after counting them all, the host announces the results. The artist whose performance was judged as the worst is being eliminated from the show (though they can come on the show either for a Return Performance or in the next season) and another singer enters the competition on their place. It goes on and on for about 10 episodes and the last stage of the competition takes place : The Finals. That’s the basic rules, there’s of course more twists to it, but depending on the currently aired season there are introduced some small or bigger changes so I don’t see a point in describing them.

Last but not least, you can watch this show for free (after it’s been uploaded) on the official youtube channel, last season had english subtitles, so there’s no problem with understanding anything. What’s more, The Singer 2019 just had its premiere on 11 January, so if you like you may start watching it from there.

I chose some of my favourite performances so that you can have a taste of how it looks/sounds like, here you go :

Dimash : Adagio

He doesn’t need an introduction, does he? All I want to say is that sometimes I forget to breathe when he performs Adagio.

Jessie J – Purple Rain

My favourite cover of Purple Rain. Jessie J is a Queen! She also won Singer 2018.

Tengger – Heaven

A soulful performance deeply inspired by his Mongolian roots. In the beginning you can hear the throat (overtone) singing.

Tan Jing – Desirous Water

She’s a folk singer, but her range lets her do anything with her voice.

Hua Chenyu – Nunchucks

He’s very popular in China and I’m not surprised, he’s a very sensible artist. Him and Dimash are very much alike in the musical aspect, they both like to experiment and showcase different type of singing.

Sandy Lam – Persimmon

She left everyone breathless with this performance, me included.  She’s the winner of Singer 2017.

Kz Tandingan – Royals 

Such charisma! She totally killed this song, too bad she got eliminated.

Lion – I Can’t Hear

I love how attuned they are to the audience, the last part is especially touching.

I’m really glad I discovered this show, otherwise I wouldn’t get to know such gifted and passionate artists, each one of them was made to be on stage.

It was fun writing for you guys, see you soon in February, there’s still a lot to come!

Rurouni Kenshin Tsuioku-hen

If you like listening to soundtracks, I have a good one in store for you.

I’ve been interested in Japan and Japanese culture since primary school, but what got me interested in the first place was anime. Rurouni Kenshin Tsuioku-hen is one of my favourite anime of all time not only because of technical aspects like animation, but also the plot, the characters and their development and of course music – which one can really enjoy listening to off-screen.

Let me shortly describe you the gist of it so that you can fully immerse yourself in the music (although it can be skipped, I think it’s better to plunge deeper to have the wholesome experience).

As most anime, Rurouni Kenshin Tsuioku-hen is based on manga series Rurōni Kenshin : Meiji Kenkaku Romantan (also known as Samurai X in the western countries) written and illustrated by Nobuhiro Watsuki. It tells a story of a vagabond, swordsman and a former assassin, Himura Kenshin, during the Meiji period (a crucial period in the history when Japan, no longer isolated, began to adopt Western culture and the whole country underwent some drastic changes in its structure, politics, military etc). He wanders to different places, as he swore to himself to protect people from harm (as a sort of atonement), he once afflicted.

There have been many anime adaptations of it, and Rurouni Kenshin Tsuioku-hen is one of them, though it rather serves as an origin story. Situated in the Bakumatsu era (the final years of Edo period, when Japan was divided between pro-imperial nationalists (anti-shogunate activists and assassins such as Kenshin) and the shogunate forces (shinsengumi swordsmen included, which was sort of a police who protected the  military government at the time) it unveils Kenshin’s past as a boy who got involved into the war with peace in mind but became a legendary assassin instead.

The soundtrack of Rurouni Kenshin Tsuioku-hen not only perfectly embodies the inner conflict of Kenshin and unobtrusively complements the visuals we see on the screen (the historical canvas) but it has the Japanese spirit, accentuated by traditional instruments, such as the taiko or the shakuhachi.

Here you have a short documentary about traditional Japanese instruments, if you’re interested in expanding your knowledge. It’s interesting to see the musical heritage of Japan and how much effort and soul they put into music itself to convey a story, but that’s a totally different topic and as tempting as it sounds I’m not going to develop it in this post because it’d take too long.

Interesting fact : Rurouni Kenshin was also adapted into live action trilogy, so if you like watching movies, here you go. They’re quite entertaining and I really like the soundtrack. Here’s the trailer : 

As usual, feel free to comment!

Elena Tonra

You already know Elena as a vocalist and one third of Daughter from one of my previous posts about this band, this time I’d like to center all the attention on her only, since she released a full solo album in November 2018, and it’s damn good.

As you may know, Elena writes most (if not all) lyrics for Daughter. She has impeccable songwriting skills, she basically tells stories through them, but in such a way that it leaves you emotional. Not only because she writes them from experience but she truly has a knack for putting words together. You know this feeling when you want to say something, but the words won’t come out? Because I do and well, some of the lyrics she wrote, their force, their message and the overall execution hit me right on the spot, like she has seen through me. Moreover, she is true to herself and to her music. When asked about her writing, she always tells that it’s her brain, and heart speaking. She wouldn’t release something that she doesn’t feel.

Since she began to write her own stuff, she didn’t change much in the musical aspect – most of her solo songs have a pretty basic, low-ley sound, just a couple of chords on the guitar as a melody and main theme. She puts the lyrics first, she highlights them. They do the whole job basically, so if you’re also such a lyric nerd as me, there’s a high probability that you’ll like Elena. Although prepare yourself, because these are not easy lyrics to swallow.

As it was stated on her spotify, her first solo album Ex :Re, means regarding ex, and also X-Ray, as a way to look inside. I assure you it’s not a generic, unoriginal and boring break up album, but rather a sort of diary or a collection of letters to herself, her ex, reflecting on the past. It’s a cathartic, introspective and intimate album, listening to it almost feels like intruding and I think it’s difficult to objectively judge its content, since it’s practically brimming with different feelings, like sadness, loneliness, anger etc. By releasing this album, Elena truly exposes herself to us, it takes a lot of courage and trust in the listeners and I really appreciate it. I hope she continues to write meaningful music in the future.

Interesting fact : After the breakup, Elena needed to cope somehow with her feelings and what other way than going to the studio, write and sing? She didn’t want other memebers of Daughter to get involved in the writing process thus she decided to release a solo album. Besides, on of the members, Igor Haefeli, is her ex so I imagine it’d be too awkward to work with him on such intimate material. It took her about a year to put everything together, here below Romance and an official music video :

Lykke Li

I think a lot of you might have already heard one of her songs called I Follow Rivers. It was once a summer banger in multiple countries and it’s still frequently played on the radio. But what you actually hear there is a remix made by The Magician, so I thought I could share with you the original version of this song, which comes from Lykke Li’s second album Wounded Rhymes (2011). If you have heard them both, which one do you like better? Because I like the original one more, the melody is more mellow, gentle and most of all – melancolic, which is a distinctive trait of her songs in general. Not to mention the fact that the lyrics are actually pretty deep, of course they can be interpreted in different ways (and Lykke likes to write such ambiguous, semi-poetic lyrics), but to me it says about the death, or even a fatal destiny that follows you no matter where you are. I don’t know, it just gives off  memento mori vibes, especially if you link it to the music video. And if you think about it, the remix version, made in retro house style, which naturally incites you to dance, may be generally interpreted as danse macabre song. But that’s just one way to look at it.

Lykke Li is one of my favourite solo artists and songwriters. She tends to blend different styles of music, like dream pop (which I recently made a blog entry about), electronic and indie music. Most of her songs have a very specific ambiance, the way she records them make us listeners think, that she’s singing underwater. What’s more, her way of singing is very often lazy, or slurred. These little mannerisms create very melancholic, sad, introspective and emotional recordings.

That’s why most of her fans (including me) were (more or less pleasantly) surprised by the new album released this year after four years of hiatus.

So Sad, So Sexy, a fourth album in her musical career, is a huge leap forward from the previous album, which undeniably displays her growth as an artist and as a person. For the first time, she decided to incorporate some trap/rap elements and blend it with pop sound, which is pretty daring in itself, but it sounds quite  interesting, and personally I really enjoy her new material. Most importantly, she didn’t lost her touch in songwriting, the lyrics are still emotional, maybe a little more fierce, crude, less poetic, but they resonate with me nonetheless. And you can feel that she bares her soul with us.

Interesting fact : Lykke Li became a mother in 2016. Two years later, with her comeback, on Mother’s Day she had uploaded a song, Utopia, which she dedicated to her mother who passed away a year prior. The music video was made of old recordings from her childhood and new footage filmed with her own son.